Episode 2: CC Open GLAM Platform: a conversation with Brigitte Vézina and Camille Françoise Brigitte Vézina is Director of Policy, Open Culture, and GLAM at Creative Commons. She gets a...
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Empowering the Cultural and Creative Industries and policy-makers to fully understand the social and economic impact of digitisation and innovate the reuse of cultural assets
inDICEs Conversation Series
Digital Cultural Heritage:
Sustainability and Value of Open Access Models
A series of conversations with remarkable professionals around Europe to talk about the future and sustainability of open access of cultural heritage assets.
Project
Impact Methodology
We develop models to measure the socioeconomic impact of access to cultural goods and new modes of content production enabled by digital cultural heritage
legal frameworks
We map Intellectual Property frameworks on European and national levels to understand how they could enhance the competitiveness of the cultural heritage sector
value chains
We propose new business models, best practices and tools that help individual organisations overcome bottlenecks in creative reuse and consumption of digital heritage
PARTICIPATORY APPROACH
We develop the inDICEs Open Observatory to engage stakeholders in collaborate co-creation and introduce a model for community participation built around ethical principles
A space for digital collaboration
Open Observatory
inDICEs is building a collaborative online environment for deliberation, co-creation and transparent dialogue between cultural heritage professionals, policy-makers, researchers and creative industry representatives.
News
New Call for Papers: 6th annual Workshop on Intellectual Property Rights in Szeged (WIPS)
inDICEs and ReCreating Europe invite participants to submit their papers for presentation on WIPS on topics related to GLAM, consumer law and IP overlaps. The Institute of Comparative Law and...
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inDICEs at the European Policy Forum: An Initiative for European Public Space
Democracies can only function properly if they are underpinned by a public sphere. But online spaces are controlled by private interests and traditional media are mostly providing national perspectives. The...
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